The Plaques series addresses to a process of receiving and giving care through temporality of digital space, and our relationship with mother tongues (and its wording).
Stoneware wall sculptures capture the triggered feelings having a chance to become permanent in their presence, as fired stone or ruins of old civilizations. The words in Tatar are taken from private messages and comments and refer to moments of longing for someone or attempting to support while physically apart. How words said with care both caress and escape a frame that overused language creates for us.
The Plaque series (2022-2023)
Glazed stoneware ceramics,
Plaque For Feelings That are Outside the Box (Janym / Dear) (2022)
Glazed stoneware, 27 x 39 x 1 cm
Plaque For Feelings That are Outside the Box (Janym / Dear) II (2022)
Stoneware, 29 x 41 x 1 cm
More Embraces (2022)
Stoneware, 20 x 29 x 2 cm
a view from exhibition Fertile Soil, a photo by Romane Courdacher
Grounding Sign (2022)
Glzed Stoneware, 28 x 34 x 2 cm
For the Happy Dream (2022)
Glazed Stoneware, 27 x 26 x 2 cm
For the Happy Dream II (a Window in the House He Was Born) (2022)
Stoneware, 20 x 28 x 1 cm
Kaderle, It’s Okay (2023)
Glazed stoneware ceramics, 18 x 21 x 1 cm
